{"meta":{"id":"https:\/\/api.iclient.ifeng.com\/ipadtestdoc?aid=ucms_7y4MQvaJ6nK","type":"doc","o":"1","documentId":"ucms_7y4MQvaJ6nK"},"body":{"newStatus":"1","documentId":"ucms_7y4MQvaJ6nK","staticId":"ucms_7y4MQvaJ6nK","title":"张大千《簪花仕女图》赏析","shareTitle":"张大千《簪花仕女图》赏析","thumbnail":"http:\/\/d.ifengimg.com\/w150_h106_q100\/img1.ugc.ifeng.com\/newugc\/20200713\/11\/wemedia\/a534f0d1e2de03b4f59d9caaa7c53d3056a3e8db_size29_w600_h400.jpeg","source":"聚融资讯","author":"","editorcode":"weMedia","editTime":"2020-07-13 11:52:09","updateTime":"2020\/07\/13 11:52:09","wapurl":"http:\/\/\/\/feng.ifeng.com\/c\/7y4MQvaJ6nK","introduction":"","wwwurl":"http:\/\/\/\/feng.ifeng.com\/c\/7y4MQvaJ6nK","commentsUrl":"ucms_7y4MQvaJ6nK","commentCount":0,"text":"
<\/p>
张大千 《簪花仕女图》 1938年 91.5cm×47cm<\/p>
张大千是20世纪非常重要的一位画家,众所周知张大千画意境清丽雅逸。”他才力、学养过人,于山水、人物、花卉、仕女、翎毛无所不擅,特别是在山水画方面具有特殊的贡献:他和当时许多画家担负起对清初盛行的正统派复兴的责任,也就是继承了唐、宋、元画家的传统,使得自乾隆之后衰弱的正统派得到中兴。“<\/p>
张大千这幅画是《仕女》,这幅《仕女》像从传统的唐寅绘画里面出来的仕女一样。张大千画这张画的时候,他还没去敦煌,到从敦煌出来以后,他画的东西就更多一种敦煌的色彩,更讲究颜色的厚重和民间色彩。因此小编觉得这件作品属于文人绘画的风格。<\/p>","img":[{"url":"http:\/\/d.ifengimg.com\/mw640_q100\/x0.ifengimg.com\/res\/2020\/8A2BEC81744A20CB21A20DEE1308DF7A54427BCC_size45_w600_h1192.jpeg","size":{"width":"600","height":"1192"}}],"summary":"张大千《簪花仕女图》1938年91.5cm×47cm张大千是20世纪非常重要的一位画家,众所周知张大千画意境清丽雅逸。”他才力、学养过人,于山水、人","sharesummary":"张大千《簪花仕女图》1938年91.5cm×47cm张大千是20世纪非常重要的一位画家,众所周知张大千画意境清丽雅逸。”他才力、学养过人,于山水、人","commentType":"0","wemediaEAccountId":"1545326","showclient":"0","shareurl":"https:\/\/ishare.ifeng.com\/c\/s\/v0026v5M--xXG9HrnovqUCAvgAYiR6n5StCrk-_rzUgrwihdU__","praise":"4","like_num":"4"}}